Metro Boomin is proving that he is up to the task and did his job as a master producer. On the first verse, he’s slick with his wordplay, relating numerous things to cars. - big sean and metro as artist is very underrated. They clearly shoud have done an EP rather than a full album. It's crazy how fast this album fell off after Go Legend and Big Bidness. They clearly shoud have done an EP rather than a full album. They. 4 The 24-year-old producer has had immense success with these kinds of projects before, garnering critical acclaim for Savage Mode with 21 Savage and Droptopwop with Gucci Mane. Head so good, pussy so good Metro returns with some great work, providing us with moody, bass-heavy trap production and continuing to work in samples from various genres of music, particularly on tracks such as "Go Legend" and "Who's Stopping Me". the beats on this are some of metros best but sean comes off as whiny or just lyricly bad. Album sucked after this and I don't know what made Sean or Metro think this was a good project. He struggles to introduce us the best of his. now i dont think this album is bad, but its nowhere near good. and i thought it was great. Metro Boomin teams up with Big Sean for his third collaborative project this year, "Double Or Nothing". Like most of Double or Nothing, it is just another thing he gets wrong. One being that metro boomin is probably the greatest producer of 2017. and, Now I was super excited for this album for a multitude of reasons. They clearly shoud have done an EP rather than a full album. it definitely is very underrated. On “Who’s Stopping Me,” he offers us this: “I had a dream I rode with Rosa Parks in back of the ’Bach/And we was blowing a blunt and she was packing a strap/Like damn, it do feel good to be black in the back.” While it’s worth noting that Sean’s vocal cadence succeeds where his wordplay fails—he emphasizes the “do” to imply that it now feels good to be black and sitting in the back because being chauffeured is a sign of wealth—his thug fantasia about a civil rights icon is neither trenchant nor funny—just very corny. definitely top 5 best collab rap album. Critic Reviews, The Legend of Heroes: Trails of Cold Steel IV, Borat Subsequent Moviefilm: Delivery of Prodigious Bribe to American Regime for Make Benefit Once Glorious Nation of Kazakhstan. © 2020 CBS Interactive Inc. All rights reserved. most of these songs are just average or slightly above. There are two main issues I have with Double Or Nothing. The guests help though, with 2 Chainz and Travis Scott being the highlights. Claire Lobenfeld of Pitchforkcriticised the album's lyricism, stating that "Though fun and at times politically salient, even Metro Boomin cannot rescue Big Sean from his habit of writing the absolute corniest lyrics imaginable." ... Sean spends a ridiculous amount of time skeeting on tracks with no filter on the filler. The first: Big Sean and Metro aren’t naturally compatible. Metro Boomin is proving that he is up to the task and did his job as a master producer. Mixed or average reviews Metro Boomin and Big Sean team up to produce 'Double or Nothing', a curious album made of a mix of ingenious beats and poor lyrics. so ya i would give this abum a high 5 out of 10 very disappointing indeed. It makes sense that he'd seek bigger names to experiment with, but the choice of Big Sean was Hallmark safe. These are all great things to rap about! It’s disappointing no standalone soundbed reaches the hypnotic levels of Sean’s “Bounce Back” instant classic, but there’s still a tremendous amount of experimentation worth noting throughout the 10-song ultimate misfire. Metro returns with some great work. and i thought it was great. ... Sean spends a ridiculous amount of time skeeting on tracks with no filter on the filler. and i thought it was great. On top of that i heard big seans newest solo album I decided. Sean has been on a streak of good projects and this is a huge drop off from his peak. Some tracks unfortunately follow the traditional recipe for mainstream rap songs in 2017. chile it is so good. Both albums suggested he has a bit more to offer than syntactically tangled lyrics and Dark Sky not only had hits that appealed to his detractors—the Drake-featuring “Blessings” and epic kiss-off “I Don’t Fuck With You”—but suggested that, with a little bit of growing up, he could perhaps start to chip away at his long-held place as a bottom-rung rapper. They Metro Boomin and Big Sean team up to produce 'Double or Nothing', a curious album made of a mix of ingenious beats and poor lyrics. Truly, the blame lies at the feet of Sean, whose limp bars and flow make middling fare of ten reasonably well-rounded bangers. From the quality of the production, it seems that Metro knows he wasn’t going to get a progressive performance from Sean. Big Sean is the Nickelback of rap. On the other hand, Big Sean disappoints once again with his. There are more failed attempts at woke lyrical tricks throughout the album, particularly on “Savage Time” where he raps, “Beat a white supremacist black/’Till that motherfucker hate his face,” shouts out former San Francisco 49ers quarterback and leader of the “National Anthem” protest movement in the NFL Colin Kaepernick, and asserts that he’s going to take water from Flint, Michigan to Washington D.C. where he knows Donald Trump won’t drink it. but the few that are great are go legend (mostly because of travis and metro), Pull up n wreck (i love the hook on this and beat and although i dont like 21 savage i thought he preformed well enough), and who stoppin me (literally only because this is probably the best metro boomin beat i have ever heard) other than that most tracks are mediocre. Critic Reviews Metro returns with some great work, providing us with moody, bass-heavy trap production and continuing to work in samples from various genres of music, particularly on tracks such as "Go Legend" and "Who's Stopping Me". What's this? Notable Video Game Releases: New and Upcoming, What to Watch Now on HBO Max and the HBO App, Music title data, credits, and images provided by, Movie title data, credits, and poster art provided by, Yeah, yeah, Metro on the beat, Metro on the beat On the other hand, Big Sean disappoints once again with his performances, at times giving some clever punchlines or personal lines ("Savage Time"), while mostly sounding dull, thanks to his uninspired flows and monotone voice. Big Sean nous avait habitué à tellement mieux. Metro Boomin teams up with Big Sean for his third collaborative project this year, "Double Or Nothing". it definitely is very underrated. On top of that i heard big seans newest solo album I decided. Metro Boomin and Big Sean team up to produce 'Double or Nothing', a curious album made of a mix of ingenious beats and poor lyrics. One being that metro boomin is probably the greatest producer of 2017. and i love when big sean works over his beats. The debut full-length collaboration between Big Sean and Metro Boomin features guest appearances from 2 Chainz, 21 Savage, Kash Doll, Swae Lee, Travis Scott, and Young Thug. Their styles aren’t tailored to coexist without someone adjusting. They clearly shoud have done an EP rather than a full album. Why isn’t there anyone in the recording studio telling Big Sean that his lyrics are not good? The most vacuous are on “So Good”: “Pussy so good, I never fuck you in the ass/Got a long dick, that shit barely fit/Like O.J. Now I was super excited for this album for a multitude of reasons. but there is one track that is truly horrific that being so good. - It’s disappointing no standalone soundbed reaches the hypnotic levels of Sean’s “Bounce Back” instant classic, but there’s still a tremendous amount of experimentation worth noting throughout the 10-song ultimate misfire. … Metro Boomin teams up with Big Sean for his third collaborative project this year, "Double Or Nothing". Album sucked after this and I don't know what made Sean or Metro think this was a good project. it is easily the worst song lyrically the worst beat the worst feature and the worst hook its bad that the only thing that caries the song for me is a beat that is really just ok thats how bad everything else is. But the difference is that 21 and Young Thug both know how to make their work with Metro more symbiotic: his production is usually a palette for a vocalist to go bold or unhinged, like Thug on “Hercules,” Future’s “I Serve the Base,” or Tinashe’s “Ride of Your Life,” among many, many others. He opens the album with a track called “Go Legend” where he declares his brother to be like John Legend. Please sign in or create an account before writing a review. Truly, the blame lies at the feet of Sean, whose limp bars and flow make middling fare of ten reasonably well-rounded bangers. it is easily the worst song lyrically the worst beat the worst feature and the worst hook its bad that the only thing that caries the song for me is a beat that is really just ok thats how bad everything else is. It makes sense that he'd seek bigger names to experiment with, but the choice of Big Sean was Hallmark safe. If I could quit my job and fuck you all. One being that metro boomin is probably the greatest producer of 2017. and i love when big sean works over his beats. Some tracks unfortunately follow the traditional recipe for mainstream rap songs in 2017. While Double or Nothing isn't entirely a miss, it certainly represents a downwards move for Metro Boomin. BAD! Metro Boomin is proving that he is up to the task and did his job as a master producer. so ya i would give this abum a high 5 out of 10 very disappointing indeed.
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