Is her ululatory arm-flinging really so unforgivable? The 50 Best Horror Movies on Netflix Right Now, Sacha Baron Cohen Was ‘Quite Concerned’ During That Giuliani Scene. -- The Globe and Mail, January 19, 2008, "An important study- not just of Dion and pop music but also of the changing nature of criticism in the popular realm." For a short book, it covers significant ground, deftly drawing insights from academic cultural theory, while remaining … Many millions more can't stand her. Céline emerged as a white-trash child star frequently mocked in the press for her “bushy hair and snaggle teeth.” She was also possessed, of course, with that Voice, an inhumanly powerful blast that annihilated the competition at cheesy global talent contests (the 1982 Yamaha World Popular Song Festival in Tokyo, the 1988 Eurovision Song Contest in Dublin) and made her manager cry, mortgage his house, and eventually marry her. . Wilson is always doubling back, as if anticipating your objection; he’s always armed with yet another study, another counterargument. A brief, brisk read --high recommended to Dion lovers and those of us who simply can't believe that Other People like her. Find all the books, read about the author, and more. My snob will go on. Is Republican Voter Suppression Starting to Backfire? This website uses cookies to personalize your content (including ads), and allows us to analyze our traffic. You\'ll receive the next newsletter in your inbox. Something went wrong. Near, Far…Wherever You AreAstounding tales of Céline’s global semantic flexibility, from Carl Wilson’s book. "Let’s Talk About Love truly shines in its depiction of the diverse range of life experiences its characters go through, and was an enjoyable read from cover to cover. Learn more about the program. The anaphoric chapter titles — “Let’s Talk About Hate,” “Let’s Talk About Taste,” “Let’s Talk with Some Fans” — betray the book pitch. Wilson can deliver an inspired takedown of Las Vegas (the city leaves him “feeling insignificant and micro-penised”), but his contempt for the Canadian singer is unconvincing — when he remembers to express it at all: His description of how Dion’s records wallop him like a “wet, live kitten” comes so late in the book it’s as if Wilson is rebooting our belief in his project’s premise. Bringing him one step closer to the Five-Timers Club. There was an error, please provide a valid email address. Sign up to receive the daily top stories from the National Post, a division of Postmedia Network Inc. Let’s Talk About Love Praise for the series: It was only a matter of time before a clever publisher realized that there is an audience for whom Exile on Main Street or Electric Ladyland are as significant and worthy of study as The Catcher in the Rye or Middlemarch. (It’s socially determined — sort of.) Carl Wilson's "Let's Talk About Love: A Journey to the End of Taste" is among the best books ever written about popular music and its aesthetics. How to master the fretboard using just the minor pentatonic scale. Céline, he says, “stinks of democracy,” and his effort to understand her has taught him to “relish the plenitude of tastes, to admire a well-put-together taste set that’s alien to our own.” After all, every genre, no matter how hip, is subject to criticism. While a messily self-reflexive writer like David Foster Wallace truly wrestles with himself — with predilections, prejudices — Wilson bets on his fuzzy side, and throws the fight. It is much more than a book about music. Please try your request again later. Fulfillment by Amazon (FBA) is a service we offer sellers that lets them store their products in Amazon's fulfillment centers, and we directly pack, ship, and provide customer service for these products. By continuing to use our site, you agree to our Terms of Service and Privacy Policy. Cries for sympathetic dialogue are less democratic than Wilson seems to think; they muffle dissent by other means. It was forged in the weird pop-cultural fires of seventies Quebec, a provincial bubble in which news anchors and earnest troubadours were venerated as mainstream heroes, while variety-pop stars were shunned. He sets up the book as a thought experiment. "This could be the best book of the series...razor-sharp and unerringly intelligent." Love Song: A friends-to-lovers rock & roll romantic suspense. What a Scorpio. But will their passionate chorus be their last? Wilson is the real thing. “The new rebels might be artists willing to risk … accusations of sentimentality, melodrama. The real MVP of the sketch: crotchless chaps. Go ahead and feel guilty about that guilty pleasure. As Wilson strives to understand Céline's immense global popularity, he faces the question of what drives personal taste - and whether it's possible to change it. People who need people — or, anyway, power ballads. Visit our Community Guidelines for more information and details on how to adjust your email settings. We have enabled email notifications—you will now receive an email if you receive a reply to your comment, there is an update to a comment thread you follow or if a user you follow comments. Reviewed in the United States on September 2, 2016. This book won't convince you to like Celine Dion but it will get you thinking about why you like certain things and hate other things and in the process you will learn tons and tons of things that you will love learning. “By the early 20th century,” writes Wilson, “almost no one believes in them” — that is, categories like “highbrow,” “lowbrow.” And yet the frisson his project was calculated to create depended on his audience’s understanding of — even investment in — such categories. (As Wilson puts it, “It’s hard to imagine an audience that could confer less cool on a musician.”), Although Wilson never grows to love Dion’s music, he’s also no longer comfortable with his former scorn. Non-fans regard Céline Dion as ersatz and plastic, yet to those who love her, no one could be more real, with her impoverished childhood, her (creepy) manager-husband's struggle with cancer, her knack for howling out raw emotion. Unauthorized distribution, transmission or republication strictly prohibited. -- Bookforum, January 2008, "This could be the best book of the series...razor-sharp and unerringly intelligent." “From the start,” he writes in Let’s Talk About Love: A Journey to the End of Taste, “her music struck me as bland monotony raised to a pitch of obnoxious bombast—R&B with the sex and slyness surgically removed, French chanson severed from its wit and soul … Oprah Winfrey–approved chicken soup for the consumerist soul, a neverending crescendo of personal affirmation deaf to social conflict and context.” (As another critic once put it: “I think most people would rather be processed through the digestive tract of an anaconda than be Céline Dion for a day.”), But while most critics would leave Céline there and go back to gushing over the lost tapes of the live versions of early takes of Dylan’s unwritten B-sides, Wilson feels a twinge of critical conscience. GHANA Cupid Céline is played by every taxi driver and credited with popularizing Valentine’s Day in a country “where public displays of affection among unmarried couples are traditionally taboo.”, JAMAICAAlert! —Hypable "Kann’s debut is a masterpiece that highlights what it is like to love… $10.95. We’re to take, with our Britpop, something borrowed, something corny – something hip hop, something country – and be embarrassed about none of it; blushing at guilty pleasures is as retrograde as the Garden of Eden. The book validates the sentimental and the emotional, and is itself movingly written. Reviewed in the United States on August 26, 2016, if you hate Celine Dion....read this book, Really, Reviewed in the United States on February 3, 2013.
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