Bob Dylan’s Love and Theft is a visionary train ride through the vast American landscape and all its hills, valleys, mountains, river towns, and urban and rural settlements. After viewing product detail pages, look here to find an easy way to navigate back to pages you are interested in. The times, they have a-changed. Any fan of Bob must have this. Honest With Me 12. This is a tour of American music—jump blues, slow blues, rockabilly, Tin Pan Alley ballads, Country Swing—that evokes the sprawl, fatalism and subversive humor of Dylan's sacred text, Harry Everett Smith's Anthology of American Folk Music, the pre-rock voicings of Hank Williams [Sr.], Charley Patton and Johnnie Ray, among others, and the ultradry humor of Groucho Marx. It's clearly the less self conscious of the two albums. Rumbling drums and moaning backing vocals suggest that things are going from bad to worse. I know they think they do, and yet it's ludicrous, it's humorous, and sad. 07. Not one of his best but its still very good and well worth having in your collection. Tracklist: This album is therefore central to Dylan's impressive late-in-life canon of work as a mature artist. And, his touring band turned studio musicians is the finest backing he's had since The Band. Mobile Fidelity Sound Lab # UDSACD 2164. You're not serving your own life well. Reviewed in the United Kingdom on May 27, 2017. 11. Sandwiched between the 1997 Grammy-winning `Time out of Mind' and the equally excellent `Modern Times' in 2006, "Love and Theft" (the album's title is intentionally in quotes) was famously released to the world on 11th September 2001, its launch understandably eclipsed by other news of the day. With this album, Dylan has created what could be described as modern American folk music . Now, it possess knock-out sound. 06. As a non music-educated listener, and true fan of Dylan for over 35 years (because I like his music, period), this is my favorite among his last five releases. Check out our new song on iTunes: http://flyt.it/Candyland album title", writes Greg Kot in the Chicago Tribune (published September 11, 2001), "the myths, mysteries and folklore of the South as a backdrop for one of the finest roots rock albums ever made.". One of Dylan's finest albums, and that is saying a lot. Po’ Boy It also analyzes reviews to verify trustworthiness. Live 1961–2000: Thirty-Nine Years of Great Concert Performances, The Bootleg Series Vol. Geier, Thom; Jensen, Jeff; Jordan, Tina; Lyons, Margaret; Markovitz, Adam; Nashawaty, Chris; Pastorek, Whitney; Rice, Lynette; Rottenberg, Josh; Schwartz, Missy; Slezak, Michael; Snierson, Dan; Stack, Tim; Stroup, Kate; Tucker, Ken; Vary, Adam B.; Vozick-Levinson, Simon; Ward, Kate (December 11, 2009), "THE 100 Greatest Movies, TV Shows, Albums, Books, Characters, Scenes, Episodes, Songs, Dresses, Music Videos, and Trends That Entertained Us over the Past 10 Years". Unlike many staples of classic-rock radio, Dylan explores new territory with each album and never tries to satisfy the masses by emulating his youth. [22][23] Translated to English by John Bester, the book is a biography of one of the last traditional Yakuza bosses in Japan. This is not an album for anyone who booed when Dylan went electric, nor will it be understood by those who mock his unusual voice, or who think that his best works are his protest songs of thirty-plus years ago. One line in the book's first chapter is, "My old man would sit there like a feudal lord." While the group originally formed as a trio in 2006, founding member Brian Bandas left the band in 2011, so the trio dwindled down to a duo. High Water (for Charley Patton) "Love And Theft" (generally referred to as Love and Theft) is the 31st studio album by American singer-songwriter Bob Dylan, released on September 11, 2001, by Columbia Records. Summer Days PS3 Rip | SACD ISO | DSD64 2.0 > 1-bit/2.8224 MHz | 57:17 minutes | Scans included | 2,32 GB ", In a glowing review for his "Consumer Guide" column published by The Village Voice, Robert Christgau wrote: "If Time Out of Mind was his death album—it wasn't, but you know how people talk—this is his immortality album. Excellent. It's obvious that Dylan steals what he loves. To me, it's the perfect "summer" album -- upbeat, humorous, and happy. It’s reminiscent of his classic records, but he’s never made a record that’s been such sheer, giddy fun as this, and it stands proudly among his very best albums. There are none of the foreboding, apocalyptic warnings that permeated Time Out of Mind and even underpinned “Things Have Changed,” his Oscar-winning theme to Curtis Hanson’s 2000 film Wonder Boys. Needs many hearings to fathom the sublet intricacies, even as it is now in the country blues idiom. 02. 05. Now that several years have passed since "Love and Theft" was released, following "Time Out of Mind" and preceeding "Modern Times," it can be compared on a level playing field against all of Dylan's recent works including "Modern Times" and "Together Through Life." There's a problem loading this menu right now. . "Love And Theft" (generally referred to as Love and Theft) is the 31st studio album by American singer-songwriter Bob Dylan, released on September 11, 2001, by Columbia Records. Additional taxes may apply. The title of the album was apparently inspired by historian Eric Lott's book Love & Theft: Blackface Minstrelsy and the American Working Class, which was published in 1993. Mastered by Neal Harris. Your recently viewed items and featured recommendations, Select the department you want to search in. Lyrically Dylan is on pretty good form, with tales of love, loss and heroes. One of Dylan's finest albums, and that is saying a lot, Reviewed in the United States on June 16, 2015. [17] Kludge ranked it at number eight on their list of best albums of 2001. [16] Q listed Love and Theft as one of the best 50 albums of 2001. Mastered from the original master tapes and strictly limited to 3,000 numbered copies, Mobile Fidelity’s transparent hybrid SACD reveals the you-are-there immediacy of Dylan’s production and the colorful textures inherent to every passage. To enjoy Prime Music, go to Your Music Library and transfer your account to Amazon.com (US). "It rolls in like a storm, drums galloping over the horizon into ear shot, guitar riffs slicing with terse dexterity while a tale about a pair of vagabonds unfolds," writes Kot. Love And Theft Tour dates 2020. It featured backing by his touring band of the time, with keyboardist Augie Meyers added for the sessions. New Song Candyland is Out Now! This is a great release from Bob Dylan, building on the commercial and critical success of hi previous album, 1997's Time Out Of Mind that seems to have kick-started a new era for Dylan and paved the way for a run of great albums in recent times. None of this is conscious, it’s all natural. This is the very definition of sonic chemistry. 'It's tough out there,' Dylan rasps. It featured backing by his touring band of the time, with keyboardist Augie Meyers added for the sessions. "Love and Theft" is old and it's brand-new at the same time. Love And Theft is the 31st studio album rock icon Bob Dylan. It's a joy to listen to. You’re wasting your life. Prized aural traits such as presence, imaging, separation, and soundstaging depth don’t come better. Lonesome Day Blues 09. ConcertPass is your number one destination for all Love And Theft concerts tickets as well as concert dates and extensive tour information. The opening track, "Tweedle Dee & Tweedle Dum", includes many references to parades in Mardi Gras in New Orleans, where participants are masked, and "determined to go all the way" of the parade route, in spite of being intoxicated. It's not something any one person should do about another. Experienced on this audiophile version, the songs possess a sense of swing and naturalism so sure-footed that they seem to float, with Dylan and his crack ensemble setting up as a live band taking down the house in a deep-in-the-woods Louisiana shotgun shack. 10: Another Self Portrait (1969–1971). https://subyshare.com/j904xs7gsfyh/B0bDylanL0veAndTheft2001MFSL2017SACDIS0.part1.rar.html Reviewed in the United States on November 9, 2014, Reviewed in the United States on March 4, 2002. [20] Entertainment Weekly put it on its end-of-the-decade, "best-of" list, saying, "The predictably unpredictable rock poet greeted the new millennium with a folksy, bluesy instant classic."[21]. For example, the changed up meter on "Cry A While" draws you in like the sounds emanating from the rustic door of a rural honky tonk. Love and Theft is an American country music group founded by Stephen Barker Liles, Eric Gunderson, and Brian Bandas, all three of whom alternated as lead singers and acoustic guitarists. But if he just carried on making the same stuff we would all have got very bored long ago (though on the plus side Empire Burlesque might never have got made...) It suits my tastes perfectly, and for me is one of his better albums. It was nominated for Album of the Year and the track "Honest with Me" was nominated for Best Male Rock Vocal Performance. Offered the song by Dylan, Sheryl Crow later recorded an up-tempo cover of "Mississippi" for her The Globe Sessions, released in 1998, before Dylan revisited it for Love and Theft. After the up and down 80's and the his folk cover album of the early 90's, he returned with 'Time out of Mind', a fantastic, (and also 5 star, in my opinion), album of new songs. Reviewed in the United States on June 27, 2017. From Newport to the Ancient Empty Street in L.A. It's old in the sense that it melds folk, jazz, blues, rock and bluegrass, but it mixes those genres in entirely new and fascinating ways. Reviewed in the United States on August 30, 2009. [19] In 2009, Glide Magazine ranked it as the #1 Album of the Decade. (In the UK its release was one day earlier, 10th September, following the tradition for albums to be released on Mondays in the UK.) Reviewed in the United Kingdom on December 11, 2017, A pretty good CD. Cry A While Just as important, Daniel Lanois’ deliberately arty, diffuse production has retreated into the mist, replaced by an uncluttered, resonant production that gives Dylan and his ace backing band room to breathe. 04. It's just Bob. ", The album closes with "Sugar Baby", a lengthy, dirge-like ballad, noted for its evocative, apocalyptic imagery and sparse production drenched in echo. However, when informed of this, author Saga's reaction was one of having been honored rather than abused from Dylan's use of lines from his work.
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