The boundaries of the genre were pushed to their logical breaking point. With their black Lee jeans and matching jackets, unlaced adidas sneakers, and zero-fucks-given body language, Run-DMC looked as if they had just rolled off Linden Boulevard. At the beginning of June 2002 came 50 Cent Is the Future; the title was prophetic, and buzz built quickly. KRS-One 10. 1 album that bested all of them, and another one-off project with Drake that all but hushed any lingering doubts about his prolificacy. Who knew what other kinds of trouble he could get into? Busta Rhymes had been patiently waiting to make it since his "Scenario" verse five years prior, and the success of "Woo Hah!! However, the stars finally aligned for critical darlings like Run the Jewels thanks to lackluster major label rap releases. What a run Griselda has been on, huh? 2 on the list. was born Clifford Joseph Harris, Jr. on September 25, 1980, in Atlanta, Georgia, to Violeta Morgan and Clifford "Buddy" Harris, Sr. But Snoop's lyrics remained uncompromising, and the album propelled gangsta rap further into the mainstream consciousness than it ever had been. He had the best verse of the year (on “Ultralight Beam”), arguably the best full-length—I mean, “mixtape”—and seems committed to a level of artistry few can match time he performs. No longer did he flub verses with over exposition. After what was, at that point, the best year of his career, Biggie remained a formidable competitor in 1996. When a young Russell Simmons called Kurtis Blow "the king of rap" he knew what he was talking about; his 1979 record "Christmas Rappin'" was a yuletide novelty that sounded much better than it had to. Instead, Chance’s persona is impressive because Chance has created a world for himself, out of the unlikeliest of parts, and 2016 was the year we all began living in it with him. Instead all he released was therapeutic id. Grandmaster Caz caught wreck on the Cold Crush Brothers joint "Weekend," and T Ski Valley took it back to his Erotic Brothers Disco days on the NSFW "Sexual Rapping." They were the first rap songs not bathed in pop-slanting crossover tactics to hold claim to such a feat, and proved that, for this very specific moment in time, Tupac Shakur was absolutely unstoppable, in every field. And yes, Chuck brought all of the above. Hov may have been in a lane of his own during 1999, but the market was more than competitive. And even without those songs Drake was still an omnipotent force in hip-hop who dominated the rap conversation. Back up north in Shaolin territory, Ghostface Killah scored a victory for the floundering Wu-Tang empire with the release of his classic sophomore album, Supreme Clientele. It wasn't obvious then, but in retrospect he laid the groundwork for everyone's favorite version of Tunechi: Coke Rapper Weezy, Drugged-Out Weezy, Mainstream Weezy, Mixtape Weezy, etc. And then there was Big Daddy Kane. On her third album, she balanced her talent boasts and sex metaphors with details of her broken relationship and family concerns. Widely considered to be one of the greatest rappers of all time, Christopher George Latore Wallace aka The Notorious B.I.G. —Rob Kenner, CREDENTIALS: The Great Adventures of Slick Rick. Carter III debuted number-one and became the first album — in all of music — to sell over one million copies since 50 Cent’s The Massacre, released three years earlier. By the time he got to Death Row, while he’d already experienced commercial popularity with his most recent album — 1995’s Me Against the World, which debuted at №1 and gave him his first platinum-selling single, “Dear Mama” — 2 Pac hadn’t come close to scratching the surface of his potential as a mainstream superstar. When he wasn't spinning records at Harlem's Rooftop Roller Rink, Lovebug was laying down raps. His third studio album is straight to the point like his raps, loaded with quotables that would’ve been highlighted in The Source, had the project come out two decades ago. (and Puff Daddy). But after all is said and done it all comes down to the music. The braided MC flipped syllables at rapid-fire pace and put pop polish on the jibberish Jaz-O and Jay Z had been spitting. HONORABLE MENTIONS: Eminem, Ludacris, Jadakiss So Much Fun was great because it was one of his most focused and cohesive projects yet, and the James Brown of rap was able to double down on his signature, forward-thinking style without making compromises. Meanwhile, he nabbed a guest spot on one of the year's biggest hits, joining an ascendant Lil Wayne on "Soldier," a Destiny's Child single that hit No. No one thought the analogy was far off. Then he dropped his most mature and complete work to date, KOD, an album that found Cole sharpening his pen while transitioning to the “big homie” phase of his career. HONORABLE MENTIONS: Young Thug, Benny the Butcher, Freddie Gibbs. —Rob Kenner. the previous year (not to mention his legal travails), Tip picked up where he left off with King and stepped up his pop appeal. Biggie was the most entertaining rapper to listen to in 1997, from an everyman standpoint—think about how fun it is to spell out B-I-G-P-O-P-P-A at the beginning of his verse on "Mo Money Mo Problems"—and he was also the best, from a purist's perch. 2, he hit the pop charts, becoming one of the most commercially successful artists in hip-hop and helping to make Def Jam one of 1998's biggest success stories. His energy, honesty, and vulnerability—“Didn’t keep a haircut or give a fuck how I dressed”—looped America into his narrative, and X has been impossible to ignore ever since. We often throw around the word “urgency” when describing great artists, but DaBaby really raps like his life depends on it—he rarely has the patience to wait more than just a few seconds before barking his opening lines. And he’s never been shy about throwing shots at your favorite rappers in the name of sport. Illmatic's anointment as a "classic" came as the mag reached maturity as an editorial product and ubiquity as a publication. Big Pun 8. But Run-DMC also tempered this approach with advice to get educated, motivated, and avoid prejudice and bias. “Notorious Thugs” had Biggie rhyming in a then-shocking double-time flow and besting Bone Thugs-n-Harmony at their own game. Though Rick had been an obviously able lyricist on his earlier work, and stood out thanks to his English accent, the mix of intricate and often hilarious narratives with stone-cold shit talking that he unleashed on the LP was absolutely unprecedented. What was surprising was what people latched onto as the album’s biggest hit: “Mask Off,” a pan flute-led, laconic piece of trap music that set off thousands of memes and more parties. And so, in order to give credit to rap’s commercial kings, we’re going to rank the ten-greatest MCs —please note that groups are disqualified, so pour one out for three of the genre’s best-selling acts, Outkast, Beastie Boys, and N.W.A — in hip-hop history, based on the following parameters: In order to rank our contenders, we ranked them one through ten in each category — using album sales as an example, Eminem was №1 (49.1 million albums sold) and Biggie was №10 (9.1 million sold) — then totaled their rankings and divided by the number of categories (four), before they were slotted by average ranking (with the lowest average ranking coming in at №1 on this list). Then he dropped his most mature and complete work to date. In 2014, Young Thug went from a rapper to watch out for, to the guy who might have his career derailed before it could even begin, to a full-blown star. The detail was vivid and visceral. But it did position him to jockey for the top spot the following year. Discography: Can-I-Bus (1998), 2000 B.C. New to that conversation was then-rookie Jay Z, whom Biggie had also given a feature for his fellow Brooklyn MC’s classic debut. Cardi B has made it, sure-footed, thanks to a concentrated, three minute and 44 second-long distillation of her appeal called “Bodak Yellow.” It was a breakout hit—inescapable in New York for the entirety of the summer—eventually reaching number one on the Billboard charts (and unseating Taylor Swift on its way). He wasn’t just an exciting new face in 2019; he became an undeniable star with a bulletproof resume. Tha Carter III was released in June 2008, three years after his last LP. Or at least "Lick the Balls," as he invites all crab rappers to do on the song of the same name. That said, his October '95 signing to Death Row would put things in motion for him to come guns blazing the following year. Jumping on songs with everyone from 6lack to Anderson .Paak, Cole made it clear that he can excel far outside the context of his own carefully constructed, self-produced albums. Red remains a remarkable talent, but in the year of the Phillie blunt, hip-hop turned on his dime. And at this moment in time "The Nigga Ya Love to Hate" was the most important rapper on the planet.
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