You'd have thought that Judgment Day was rolling down the line If there’s one knock on Clark’s songs, it’s that musically a lot of them sound the same, but “Texas 1947” is a bit of an exception. Being six years old I had seen some trains before sort form. Fill in your details below or click an icon to log in: You are commenting using your WordPress.com account.
And everybody's checking old Jack Kittrell checks his watch It’s called Texas 1947 because there’s a feeling throughout the song that this modern new train has irrevocably changed this town. Something even old man Wyman's never seen before “Texas 1947” shows you why. It’s another shrewd narrative choice: how do you describe something that’s so fast you never really see it?
She's a fast rolling streamline come to show the folks [Chorus]. Look out here she comes she's coming look out there she goes she's gone Screaming straight through Texas like a mad dog cyclone Trains are big and black and smoking louder July 4th ( Log Out / That’s why, I suspect, it’s called “Texas 1947” and not something trite about trains. Thanks. Right away, the narrator gets established. [Chorus] Big and red and silver she don't lay no smoke It’s called Texas 1947 because there’s a feeling throughout the song that this modern new train has irrevocably changed this town. You already know that he was close personal friends with Townes Van Zandt and has mentored dozens of the most successful names in alt-country, like Lyle Lovett.
Texas-1947 This song is by Guy Clark and appears… on the album Old No.
And also like Dylan, everyone’s covered his songs, though the covers are almost never as good as the originals! View by: Highest Rated; Most Recent; Oldest First; No Comments Add your thoughts. I guess I kind of see Guy as the country Dylan in terms of craft. It has brought the future speeding through the lives of everyone in town: “Texas 1947” thus denotes both a beginning and an end. ( Log Out / There’s that great descending riff to open that generates momentum immediately—it sounds like the ending to an overture that you just missed because you walked in the theater late, and bonus points for the sheer nuttiness of sticking a bass clarinet in the mix. Log in now to tell us what you think this song means. You get an impression for how the kid feels about the trains—giant, loud machines, but with an inexplicable allure (the feminine pronoun is very much intentional, I think). Something strange was going on and we are all in the way
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