Album Rating: 4.5 | Sound Offhaha its superfluous anyway ill just take it out, Album Rating: 5.0quoted in a downer review life complete It's an image worth bearing in mind while listening to The 20/20 Experience, not least its closing track, Blue Ocean Floor: seven and a half minutes of backward tapes, echoing piano figures, sub-bass, sound effects and hazy strings. The song was on 'N Sync's final album, Celebrity, which sold nearly two million copies in the U.S. in its first week-- and by that point the group had gone platinum about 30 times over. Upvote +0 Downvote. On Justin Timberlake's first album in seven years, the pop superstar reunites with longtime producer/collaborator Timbaland for an album that seamlessly conflates the last 40 years of pop, soul, and R&B into a series of ambitious, long songs. This review is from THE LAST NIGHT EARLY MORNING SHOW podcast. There's a terrible moment midway through Strawberry Bubblegum, where the listener slowly becomes aware that "strawberry bubblegum" appears to be a metaphor for his partner's vagina. "All that matters is that you recognize that it's just about respect," he sings. As a complete package, The 20/20 Experience will surely be remembered as one of the first of what will hopefully become a trend in popular music of releasing challenging, experimental, and expertly written material. What's this? "I'm gonna love you 'til I make it pop," he goes, emphasizing the last word with the exact same sense of joy as he did 12 years ago. “Pusher Love Girl,” an ode to the intoxicating effects of love and sex, borrows Curtis Mayfield’s falsetto and Stevie Wonder’s chord changes; the swinging groove of “Suit & Tie” is pure “What’s Going On”-era Marvin Gaye. All the songs are so different from each other and they are all so amazing. Timbaland uses a lot of the same samples we have heard before. Dear Justin, I think you already released this album back in 2006, except that the songs were 4 min shorter and didn't drag. Thanks to Nathan Flynn for inspiring the angle ; ) Other than “Suit and. There are other period touches: When guitarist Elliott Ives steps forward for a rippling solo in “Spaceship Coupe,” it sounds as if Eddie Hazel, the great Parliament-Funkadelic axman, has piloted his mothership into Timberlake’s orbit. Thank God for Spotify, didn’t have to waste money on this. Even back then, this desire for meaningful admiration was nagging at Timberlake. Which songs on "The 20/20 Experience" are worth extended listens? The man who unleashed many of these inventions, hip-hop producer Tim "Timbaland" Mosley, set his menagerie of sounds to play most freely on Missy Elliott records. I'm actually really impressed, he changed up his normal style a little and presented us with something new and fresh. Absolutely fantastic. Want more Rolling Stone? It is, very often, terrific – lush and quirky too. Admittedly, pop culture wasn't built on sensible; instead, it rewards youth and conflict-- there's a reason why Rihanna has more #1 solo singles than JT and Beyoncé combined. Within his own discography, Timberlake's current path can be traced back to one song, the Timbaland-produced "Cry Me a River". It's a bold soul that claims this kind of thing doesn't mar their enjoyment of The 20/20 Experience: it's definitely harder to concentrate on the rich inventiveness of the sound when there's a man comparing his wife's vagina to some bubblegum in a falsetto voice over the top of it. The 20/20 is. © 2020 CBS Interactive Inc. All rights reserved. And Timberlake is in a particularly opportunistic position to indulge in such aspirations. Despite its flaws, The 20/20 Experience is a genuinely adventurous pop album in a world of will-this-do? (It has more in common with D’Angelo and Maxwell than Usher or Bieber.) He graduated from the Mickey Mouse Club to ‘NSync to solo superstardom – a natural enough progression – but then, at the height of his success, he spit the bit, jettisoning music to dabble in movies, SNL viral videos and, um, golf. And it succeeds at this very goal; the millions of dollars available to major label artists should yield a product this polished and forward thinking. The clueless boyband doofus isn't supposed to have any kind of career 11 years after the boyband's split, let alone the kind of career Timberlake currently enjoys: burgeoning Hollywood success, so imperious in his stardom that he can leave a six-and-a-half-year gap between albums. One-time boybander Justin Timberlake's sonic intrepidness is giving him a longer career than anyone could have predicted – but maybe it's time to lay off the porny lyrics. But there was also Cry Me a River, the dramatic single produced by Mosley, which sealed both Timberlake's bankability and his cred. And the new twist is also a blast from the past: many songs here are augmented with live instrumentation and vocal harmonies that go back to Motown, Stax, and Trojan. kingsoby1 EMERITUS (5)Optometry puns aside, 20/20 is a turning point in mainstream pop and R&B...Winesburgohio STAFF (4)A remarkable blend of pop nous, challenging facets and sexual congress on tap...Channing Freeman STAFF (4.7)Claims of revolutionism aside, it is very nice to hear Justin Timberlake sing again....PumpBoffBag (4)70 minutes of clarity... Masochist (4.5)THE pop album of 2013....TheMoonchild (3)It's catchy, it's danceable, it's fun. The latter track even rivals Spiritualized for dovetailing affection with addiction. The result would be encyclopedia-thumbing pastiche if it weren’t all so carefully curated, and if the production wasn’t so intricately, lavishly produced that as each track stretches into the fifth or sixth or eighth minute it was not still revealing permutations, secrets, strange little surprises. It's fair to say that Blue Ocean Floor is not a piece of music anyone in 2001 could have envisaged stonewashed-denim Stetson boy ever making. Absolutely fantastic. Album Rating: 3.5 | Sound Offapril fool's? – you want to give Timbaland a bear hug. The music is catchy, but the emphasis is on rhythm and flow. There will be more, because The 20/20 Experience repays replays. In one showpiece, JT chants over brass, percussion and strings; the music takes a world’s worth of sounds: Afrobeat, soca, bhangra, “Wanna Be Startin’ Somethin’.” The song is called “Let the Groove Get In.” It would have been an apt album title. I'm gonna write mine soon. The majority of the songs go over 7 minutes. That is at least partly down to smartly aligning himself with the best producers and songwriters in the business: the Neptunes, whose fantastic single Rock Your Body was intended for Michael Jackson, and Timbaland, responsible for the truly great bits of The 20/20 Experience's predecessor, FutureSex/LoveSounds. "Pop" is slyly referenced on "Strawberry Bubblegum", a love-as-sugar-rush space-soul trifle from the singer's third LP, The 20/20 Experience. Upvote +0 Downvote. But they could. Timberlake sings, “If my red eyes don’t see you anymore/And I can’t hear you through the white noise/Just send your heartbeat out there to the blue ocean floor.” If you had to categorize it, you’d call it an abstract ambient soul ballad. The 20/20 Experience is all impeccable tailoring with little lining inside. The 20/20 Experience may test the patience of fans expecting immediate gratification. Consider 'N Sync's 2001 hit "Pop", a defensive track co-written by Justin Timberlake that takes aim at boy-band haters. As a star who grew up in the money-printing CD era, he's got enough notoriety and loyalty to be able to challenge his audience without alienating them. Unlike most of the songs on 20/20 – the goofy, loved-up musings of a happily married man, mostly – Don't Hold the Wall finds a breathy Timberlake prowling the club, whispering salacious nothings to a resistant girl. The issue is whether he's done enough to quench our R&B-infused pop sensibilities; he hasn't. People even danced to them. On these long songs, Timbaland seems to have relocated his mojo and added Kanye-calibre ambition. (3)Justin Timberlake displays a remarkable amount of ambition on this uneven album, but the l...Muisc4Life26 (3.5)This is defintely a very enjoyable record. Happy marriages, as a rule, do not sell records. But Timbaland's busy, nimble touch (and his "fricky fricky" ad-libs) also graced landmark hits by Jay-Z, Aaliyah and Justin Timberlake. based on When that album’s lead single, “SexyBack,” first hit the charts in the summer of 2006, no one had ever heard of Lady Gaga or Justin Bieber. @kittyempire666 Sat 16 Mar 2013 20.05 EDT First … but that doesnt mean he isn't funny, moderately tho, i watched a half hour special for him it felt like an hour, Bands: A B C D E F G H I J K L M N O P Q R S T U V W X Y Z, Box and the Twins - Everywhere I go is Silence. I'm actually really impressed, he changed up his normal style a little and presented us with something new and fresh. The days of the denim Stetson seem more distant than ever.
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