Jennie, Rosé, Jisoo and Lisa of the K-pop sensation Blackpink talked with Jimmy Kimmel about Coachella, Jaden Smith and wearing disguises. (This Is Not a Metaphor.). “Die for Me,” with Future and Halsey, rides a standard-issue trap beat. The production on “Hollywood’s Bleeding” was interesting… For the most part, Post sung over instrumentals that were either of the alternative rock/pop variety, or the trap-rap variety. Rising star DaBaby crushes his turn on “Enemies”; Halsey, on the otherwise drab “Die For Me," breaks into her boyfriend’s phone, finds all the girls in his DMs, and takes them all home. There’s around a dozen slight, pleasant sad-boy autumn jams in this batch of 17. © 2020 Vox Media, LLC. It doesn’t all work: ‘Die for Me’ is an idea searching for a tune – though Halsey owns it with the line, “I sold 15 million copies of a break-up note”. However, there are a few times the album is predictable and a bit corny (Especially on tracks like “Allergic,” “A Thousand Bad Times” and “Take What You Want”)… With that being said, Post Malone is such a lovable artist, mainly because he comes across like an ordinary joe with an ordinary voice and ordinary problems. I feel his pain, cause on the real, throughout the last couple of years, he’s shown that he can create high-quality music utilizing a bunch of different genres. Find helpful customer reviews and review ratings for Hollywood's Bleeding at Amazon.com. In “Hollywood’s Bleeding,” Post once again proves that exact point to the people, as he delivers a body-of-work for us that is as versatile as anything I’ve heard this year. Despite the fact that he’s cursed (no, really – when he touched the Dybbuk box, the world’s most haunted object, a run of bad luck, including his house being robbed, ensued), Austin Richard Post has had a stratospherically successful few years. Learn how your comment data is processed. “Me and Kurt feel the same,” he moans of the grunge icon whose songs he’s covered in concert, “Too much pleasure is pain.” It’s an outrageous claim made only more so by the fact that he surely believes it. He Ping-Pongs between stressing over the machinery of fame and having fun in spite of himself. Nothing about Post Malone suggests “career pop musician” but that is exactly what he has become. From the moment you press play on it, you are greeted to an extremely dark/cinematic effort from Post Malone in “Hollywood’s Bleeding.” From there, you get tracks like “Die For Me,” “On The Road” and “Take What You Want” that tackles subject-matters such as dishonor, disloyalty, disrespect and disagreements. ‘Hollywood’s Bleeding’ is a playlist made for these times. There are too many brooding fashion-plate numbers in general (“Die For Me,” “On The Road”) and they bog the album down. “Broken Whiskey Glass” and “Over Now” punch through party-rap tropes to peek at the motivations behind the drinking and drug use on the surface; it’s hard to reconcile the cynicism prevalent in Post Malone’s music with the general impression of him as a lighthearted stoner. 1 at the beginning of this year, shows up again outside of last year’s Spider-Man: Into the Spider-Verse soundtrack, and its presence here among all these other soon-to-be Top 10 hits feels almost like arm-twisting. Former Fleetwood Mac member Lindsey Buckingham joined TikTok to re-create Nathan Apodaca’s viral “Dreams” video, sipping juice and ... riding a horse? Posty "looks at his plaques when he shits. These moments—when he dares to suck, gloriously and bravely—is when Post Malone ascends. Artists keep wandering out of this spot, which widens every year, but it’s hard to imagine the vortex producing someone as ready for algorithmic dominion than Post. Bringing him one step closer to the Five-Timers Club. He even earned four Grammy nominations, though he walked away from this year’s ceremony without a single award — one sign that record-industry old-timers still view the extravagantly scraggly Malone with suspicion. What did y'all seriously expect? Post Malone, post breakup, brought us his new single ‘Circle’ just last week, appearing as a promise that he would not disappoint on his third studio album ‘Hollywood’s Bleeding’.. Post Malone loses focus on his sophomore album. On the real, I wouldn’t be surprised if Post stabbed himself in the heart before recording most of the songs you heard on this album. For “Myself,” which he co-wrote with Father John Misty — credit that alt-folk prankster for rhyming “sick of believing” and “American dreaming” — Malone goes full-on ’70s-soul crooner; it’s one of several deeply committed vocal performances from a natural mumbler who’s discovered fresh ways to express familiar feelings. Read honest and unbiased product reviews from our users. It makes me think about Rick Ross circa 2010, happy and audacious, enlisting full symphony orchestras for him to rap over, but not before demanding a cigar. “Sunflower” is one of my favorite songs this year (Easily). The first half-dozen songs are a gauntlet of parties, worries, and venting sessions about toxic relationships. Elsewhere ‘Enemies’ is also a bop, as he dissing enemies and brags about his rise to the top: “Now your mama needs tickets to my stadium show”. It is an immaculate pop construction, and the words—“You’re friends with all my demons/The only one that sees them/Too bad for you”—are just delivery systems for the thrill. Music Reviews: Hollywood's Bleeding by Post Malone released in 2019 via Republic. with Posty getting almost political: “The world has gone to shit and we all know that / People freakin’ out, like, hit the Prozac”. This album is an absolute mess of ideas. I became a fan of Post Malone when he was “White Iverson,” so when he makes rebellious trap records, I love it! “I just want to be a person that makes music.” Posty, it’s clear, doesn’t care a goddam thing about genres. Speaking purely in numbers, he’s just about the most ubiquitous pop musician alive: His songs multiply in the culture right now like kudzu or prairie dogs. Of course we still get the absurd lyrics (on ‘Saint-Tropez’ he lets us know, “Versace boxers on my dick / Bud Light runnin’ through my piss”) and, despite the introspection, he still talks in clichés about drinking beer, popping pills, and having sex. Post Malone tries to go from ‘White Iverson’ to ‘White Jordan’ with the highly-anticipated “Hollywood’s Bleeding.”. In my opinion, the track is impossible to dislike, especially if you hear it in the right setting. Texas country singer and songwriter Jerry Jeff Walker, who wrote the pop song “Mr. At Brooklyn’s Green-Wood, a moving performance that roved among the crypts. Ozzy Osbourne & Travis Scott). And never has this been truer than on ‘Hollywood’s Bleeding’. This cavalcade of star turns only helps to add to the idea of this as a mixtape – although they sometimes upstage the main man himself. All 18 songs from his second album ‘Beerbongs and Bentleys’ charted in the US. Post had a close call last summer when two tires blew out of a private Gulfstream jet meant to carry him from Teterboro Airport in New Jersey to Luton in London, forcing the flight to plot an emergency landing in Hudson Valley’s Stewart International. Hollywood’s Bleeding is immediately Post Malone’s most listenable work and may well be the catchiest album you hear in 2019, and that includes Taylor Swift. This site uses Akismet to reduce spam. I respect your opinion, and trust me, I can very well be missing a chromosome ! Read honest and unbiased product reviews from our users. At others he sounds like '70s FM radio. To me, everyone fit their respective songs nicely, which tells me Post didn’t just pull these features out of his ass. Genre: Pop Rap. We’ve all done one of them calls at four o’clock in the morning.”, Samantha Bee’s ‘Panel of Losers’ Won Late Night This Week. Post Malone – ‘Hollywood’s Bleeding’ review. How can I enjoy the person I’m dying for if I’m dead? As Post tries new sounds on for size, some git better than others. “Seasons change and our love went cold / Feed the flame ’cause we can’t let it go” he sings in a yearning voice. In my opinion, “Saint Tropez” is a rebellious trap record, as on it, Post soulfully sings about his cash, luxurious cars, and carefree ways over this dope ass trap instrumental. The pop-rock jams “Allergic,” “A Thousand Bad Times,” and “Circles” sound like different drafts of the same song, scheduled in a row up top. It is not a vehicle for Useful Posty: It sounds like a demo that someone meant to hand directly to Sheryl Crow and accidentally sent to Bobcat Goldthwait. A Los Angeles judge has dismissed the lawsuit of one of two men who alleged in the documentary “Leaving Neverland” that Michael Jackson abused them as boys. What more is there in the jukebox? This month, his third album, Hollywood’s Bleeding, repeats the trick: Across a single rapid-fire verse and a melodramatic chorus, “Internet” melts down about leakers, aspiring Instagram models, bad press, and social-media slander, all in the build to a climax where Post sweetly proclaims, “I don’t get on the internet no more.” It’s a page from the Kanye West playbook of public paranoia, the same mix of snark, stress, and holiday-jingle strings that were batteries for “Runaway” and “RoboCop.” (“Internet” lists West as a producer, and fans will recognize it as “InstaLove” from the Yandhi leaks, with the placeholder Kanye verse scrubbed.) Sacha Baron Cohen: ‘It was pretty clear to us’ what Rudy Giuliani did in new ‘Borat’. The good news is that all of these commercial hits have a level of edginess to them that is hard to ignore. Refusing to remain bound by genre, he collaborated with Tame Impala’s leading man Kevin Parker to create a lethargic yet serene sounding track which presets the albums recurring theme of an unresting love. Puerto Rican superstar Bad Bunny was spotted filming what appeared to be a commercial for a popular snack food in Boyle Heights. And the synth-pop of ‘Staring at the Sun’, with the great line “Give me a chance and I will fuck up again”, adds another genre into the mix. But Post Malone is the post everything star the kids have called for, a musician made for the internet-age; a goofball chameleon instinctively skilled at understanding the ways genres can merge together. On the opening title track, he tells a lost love, “You never took the time to get to know me / Was scared of losin’ somethin’ that we never found.” That shadow looms large over the album. Every Post Malone album serves at least one 100-proof distillation of the New York–via–Texas star’s odd standing as a singer-songwriter whose principle building blocks come from trap music but whose tastes suggest that his final destination lies somewhere farther afield. Today in Matrix Glitches: Swizz Beatz Is First American to Win Saudi Camel Race, Amber Ruffin Is Done With People Pretending They Can’t Pronounce ‘Kamala Harris’, “Kamala is barely any different than Pamela, and there’s not a white person alive who doesn’t know a Pamela.”, A Concert Review! the general impression of him as a lighthearted stoner.
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