You see the fabric of reality ripping apart in front of your eyes, and you’re staring at the ocean and breathing along with the tide, and all of a sudden you understand that you react to things this way because of something that happened to you when you were 4, that you’d buried.”. "And eight months later, there were 14 people there and we came back last year and played at Sloss Fest and there were a [expletive] ton of people there and now we get to play this beautiful room. Simpson put down his guitar and clutched only a microphone for “Welcome To Earth (Pollywog),” “Breakers Roar,” “In Bloom,” and “All Around You,” which appears to be a sign that he’s becoming even more comfortable on stage. And all of the people buying tickets to his shows may not be totally aware of that yet. That remarkable horn section also managed to sneak in a portion of "Soulful Strut" by Grover Washington, Jr. into the closing number, kind of epitomizing what makes what Simpson is doing special. But it’s okay, because not a lot of of people do, though that’s about to change. A sax solo did the same during the “The Promise,” which avoided ‘80s sax cliche and instead brought a sense of desire and yearning. His bassist is Chuck Bartels.

His promotion so far has included performing the album front-to-back at spots like Rough Trade in NYC and for KCRW’s popular Morning Becomes Eclectic and for late night TV spots on Conan and Colbert (including a hilarious honky tonk ode to the Waffle House).

He had a very country upbringingSimpson grew up in southeast Kentucky. His guitarist is Estonia native Laur Joamets, who accidentally got the gig by emailing producer and tastemaker Dave Cobb some YouTube clips. Living The Dream Voices Sturgill Simpson’s junior album, A Sailor’s Guide To Earth, has been out just over a month. The horns, which are prominent on his latest self-produced album, were able to work their way in throughout the night for other new arrangements of older tracks that have been performed numerous times over the last few years as Simpson’s star has risen. Later, he also covered the William Bell-penned “You Don’t Miss Your Water” originally on Stax (but has also been given a fantastic country cover in 1972 from Jerry Lee Lewis on the Mercury label) which married the country-meets-horns vibe blissfully. “There’s a gateway in our mind that leads somewhere out there beyond this plane,” Simpson sings in the song, “where reptile aliens made of light cut you open and pull out all your pain.”, Oh, and the song also just lists off different hallucinogens: Marijuana, LSD, psilocybin and DMT.
The nostalgia-laden drawl in Simpson's voice is a remarkable cover for high brow art, and for his next trick, I hope that he gets everyone on the same page. The Egyptian Room, the second largest of the three performance spaces in the Old National Centre, is known to be a standing-room-only venue with the occasional upcharge for paid seating along the sides of the room. "This must be a high brow crowd.". SETLIST: Sitting Here Without You - Time After All - I'd Have to Be Crazy (Willie Nelson cover) - I Never Go Around Mirrors - Railroad of Sin - Some Days - Old King Coal - Water in a Well - Turtles All the Way Down - Life of Sin - Living the Dream - Voices - Long White Line - The Promise (When in Rome cover) - A Little Light - Just Let Go - It Ain't All Flowers - You Don't Miss Your Water (William Bell cover) - Welcome to Earth (Pollywog) - Breaker's Roar - Keep it Between the Lines - Sea Stories - In Bloom (Nirvana cover) - Brace for Impact (Live a Little) - All Around You - Oh Sarah - Call to Arms > Soulful Strut (Grover Washington. He once asked his Birmingham audience on Sunday, "Read anything interesting on the internet lately?"
He didn't work with a setlist, and he began barreling through the 125 minute set at 8:30 p.m. with "Sitting Here Without You" from the 2013 debut High Top Mountain. It Ain’t All Flowers He made sure to give the group their due when he stepped aside, nearly offstage, during the country-gospel “A Little Light” for an extended break. Oh Sarah And you did that. When The Levee Breaks (Memphis Minnie and Kansas Joe McCoy/Led Zeppelin cover) It Tears Me Up (Percy Sledge cover) Like any good country boy, Simpson has a serious band backing him up. Just Let Go

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