(Driven out of L.A. after frequent hassles with the cops, the Family relocated to Hawaii, where, in suitably Icarusian fashion, Yod met his demise in a hang-gliding accident in 1975.) The original recordings have become valuable to collectors of underground music. In 1973 the band began making limited pressings of their jam sessions, eventually releasing nine albums that were sold at the Source Restaurant for ten dollars each. Celebrities such as Earth, Wind & Firewould buy Source records out of … On the surface, the Source groups were hippie jam bands, but they rarely indulged in long solos, ornate arrangements, or flowery emotions. Take "The Goddess Earth (All My Sons Are Jesus)", which Yod opens with a meandering rant about the Earth as a human being entering puberty, God as a father with many sons, and predictions of natural disasters "in 1987…the latter part of '86…or the beginning of '88." In the late 1960s and 70s, the Source Family and their leader, Father Yod, espoused a spiritual, philosophical, and ethical lifestyle. Rather than deliver an all-consuming religious experience, The Source Family feels more like a brochure handed to you by some robed devotee at the airport. His lopsided cries inject energy into the longer songs, but I'm partial to one of the shortest and sparsest tracks, "Seed of Yahowha". Pitchfork is the most trusted voice in music. In the late 1960s and 70s, the Source Family and their leader, Father Yod, espoused a spiritual, philosophical, and ethical lifestyle. Though the Family and their leader, Father Yod, espoused a spiritual, philosophical, and ethical lifestyle-- leading some to brand them a cult-- they don't appear to have had any interest in brainwashing. Father* And The Original Source Family* Father* And The Original Source Family* - Chants And Songs By Father And The Original Source Family (CDr, Album) Swordfish Records: YHVH CD 4: … But if you haven't encountered any Source music before, this newest archival release will more likely rework your ideas of long psych freakouts than your notions of spirituality. Unlike another Californian “family” of radicals led by an aspiring musician, the Source Family applied their anti-establishment ideologies__--__ as espoused by their 50-something, fearsomely bearded leader Father Yod-- to mostly benevolent ends: They operated a popular, celeb-studded vegetarian restaurant on the Sunset Strip (a precursor to the lucrative health-food industry) and issued their music as a series of small-run, self-produced albums (making them unlikely harbingers of punk’s DIY, handmade ethos), all while avoiding the mass suicide-- if not the skeezy polyamory-- that typically defines such rogue religions. But the Family’s more outré excursions are ill-served by the compact format of this soundtrack, whose second half is given over to a random assortment of frustratingly brief excerpts of more substantial recordings. But the latest part of the campaign could push the Source Family story beyond record-collector realms to mainstream movie-goers in the form of a documentary, The Source Family, that recounts the group’s history through the mostly fond remembrances of its ex-members. At least that's true of the music the various Source Family groups made, and The Thought Adjusters, culled from the vaults of family member Isis Aquarian, delivers tons of that on-the-spot inspiration. This soundtrack to a new documentary about the collective provides a surface-level overview of its subject's extensive range. Since 2006, Drag City has been overseeing an extensive reissue series to complement a label roster that has long served as a safe haven for modern-day psychedelic eccentrics. Still, the center of the The Thought Adjusters is Father Yod, and his oddly malleable singing is the star of each song. The Source Family were both a religious sect and an interconnected network of rock groups active in the 1970s, whose utopian, anti-establishment ideologies extended to … He might never actually hit a note-- it's all charm and charisma, and when you hear it, you can understand why it led many a Source family member down Yod's winding path. They were more a garage band with no off switch, prone to stretching their simple riffs out into the stratosphere (there are only seven tracks on these four LP sides). In the process, they predict the elastic inspiration of Can's workouts on the Lost Tapes box, as well as the acid-soaked trips of Butthole Surfers. The title of their newest archival release, The Thought Adjusters, isn't quite as poetic, but it might be their most apt. Think Daniel Higgs in Say God mode, or Sun City Girls' Alan Bishop when he morphs into rambling street-poet Uncle Jim. Movie: The Source Family (2013) info with movie soundtracks, credited songs, film score albums, reviews, news, and more. Pitchfork is the most trusted voice in music. The Source Family is fond of evocative names, both in their projects (YaHoWha 13, Spirit of '76, Children of the Sixth Root Race) and their releases (God and Hair, Magnificence in the Memory, Penetration: An Aquarian Symphony). Stripped of the sensational backstory, the Source Family’s most accomplished songs can easily hold their own against the popular classic rock of the era: It’s not hard to imagine the sassy soul strut “How Long in Time” flowing out of Carole King’s “I Feel the Earth Move” on your local AM-radio station in 1972, and if some misinformed torrenter were to accidentally mislabel the righteously indignant “Godmen” as an unearthed Jefferson Airplane jam from Woodstock, no one would question it. It’s these records that have rescued the Source Family from a 70s-footnote fate. Though it’s known as the devil’s music, rock'n'roll has always adopted the language of religion: New bands are often propped up as “saviors”; artists with especially fervent fans are labelled “cult” acts; and pretty much every transcendence-seeking rock band has, at some point in their careers, recorded a song called “Shine a Light”. Music was an integral part of the Source Family and many members were musicians. And with it comes a soundtrack that should provide a convenient entry point into the Family’s deep discography. In fact, if you haven't encountered any Source music before, The Thought Adjusters will more likely rework your ideas of long psych freakouts than your notions of spirituality. But if you haven't … Much like the Source Family’s history, the soundtrack begins innocently enough-- with the acoustic lullaby-cum-recruitment theme “Home”-- before drifting into more chaotic terrain. The uncannily Can-like “To the Principles for the Children” and proto-doom-metal lurch of “Penetration” suggest there’s a case to be made for the Source Family as vanguard-pushing visionaries rather than some bygone freakshow curio, but in this abbreviated context these experiments come off as scatterbrained whims. But unlike, say, the recent Searching For Sugarman soundtrack, The Source Family has no ambition to serve as a greatest-hits retrospective of an obscure artist. Ultimately, this soundtrack functions best as an invitation for the curious to delve deeper into the Drag City reissues. The Source Family seems far more innocuous than the People's Temple or other "cults," for instance, and probably deserves the lighter, nostalgic, and even kind of fun treatment it receives from the filmmakers. His voice stretches and cracks and distorts, hitting on a gut level rather than a pitch-perfect one. Here, Yod has an almost rap-like sense of timing, mimicking and counterpointing some wiry, Beefheart-esque guitar. It’s more like a K-Tel commercial for one, presenting a fleeting series of snippets that provide but a surface-level overview of its subject. So that the Source Family functioned as both a religious sect and an interconnected network of rock groups is not totally surprising; what’s most remarkable about this early-70s hippie enclave was their industriousness. Father Yod formed an improvisational psychedelic rock band called Ya Ho Wha 13, with himself as lead singer. A clip of a speech delivered by Yod to a Beverly Hills high school (!) It all comes in a stream of consciousness that's less like preaching than searching. Whenever they could veer into a complicated turn, they instead stick to their guns, building variety from momentum rather than flash. in 1974 espouses the virtues of free improvisation, however the Family’s musical principles were actually quite organized, with Yod centering different group aggregates around specific sounds: Father Yod and the Spirit of 76 specialized in spiritual psych-folk and drone; Children of the Sixth Root Race proffered rousing, gospel-infused pop; YoHoWa 13 explored the outer limits of Hendrixian acid-rock; while Father and the Original Source Family issued recordings of chants inspired by traditional Jewish prayer. They're more drawn toward adjustments in thinking, through a questioning of assumptions that values loose improvisation over rigid rules. Perhaps thought adjustment is what Yod and the Family wanted to do themselves rather than to you. The Source Family were both a religious sect and an interconnected network of rock groups active in the 1970s, whose utopian, anti-establishment ideologies extended to running a popular vegetarian restaurant.
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